Nina Royle

Notes from artist talk:

  • either need to subsidise work or sell lots of it – neither better than the other, just be honest to your artwork
  • we walked under an eyelash sun
    • calming
    • ‘book size’
    • interested in the size in relation to the hand
    • guesso, like frescos, suck paint into the surface
    • emphasises the ‘object-ness’ of the paintintg
  • sitting in the borders of definitions
  • passage across an eyelash
  • domestic rituals
  • text in work – live event (rather than a performance)
  • tongues and mirrors in mercury – solo london show
  • go deeper into ideas – gets weirder and more unexpected
  • displaying paintings against a backdrop of coloured fabrics
  • book called amalgam to accompany the show
  • Breage church in Helston – frescoes
    • the flatness of the image – revel in it
  • two ‘unrelated’ texts alongside one another, interspersed
  • text and sound alongside paintings
  • butterbean curtain – making rain sounds
  • daddy long legs embrace
  • revisiting works ‘when emotion has gone from them’
  • pilgrim hands – hands in paintings as well as the hand-sized earlier paintings

https://ninaroyle.co.uk/

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